Rock Hudson became a beefcake star playing a self-absorbed, thrill-chasing millionaire playboy in the first of Douglas Sirk's glossy Technicolor melodramas. In a classic example of the wicked machinations of soap opera fate, Hudson's showboating antics kill the most saintly man in motion-picture history and stalk his newlywed widow (Jane Wyman), driving her into an accident that leaves her blind. ...
Winner of the 1951 Academy Award for Best Special Effects, this science fiction extravaganza set a new standard for the realistic depiction of cinematic disasters. Of course, it's a quaint curiosity by today's technological standards, but as produced by visual effects pioneer George Pal, this story of Earth's collision with a runaway star is still a dazzling example of screen sci-fi from the '50s, ...
"My kind of town, Chicago is...." The last film venture by the Rat Pack finds Frank Sinatra, Dean Martin, and Sammy Davis Jr. in an update of the Robin Hood legend, set in Chi-town in 1928. The boys play gangsters who become Jazz Age Merry Men; Bing Crosby is their eloquent spokesman. As usual, women are in short supply within the featured cast, but the film is colorful enough anyway with its ...
Frank Sinatra spends most of his time in Come Blow Your Horn looking like he's waiting for director Bud Yorkin to infuse some inspiration into the film. Sinatra doesn't get his wish, but he works like an old pro in this Neil Simon comedy about a playboy getting pressure from his conservative, Jewish father (Lee J. Cobb) while simultaneously feeling threatened by the man-on-the-make moves of ...
One of the most thoughtful films about World War II, this 1958 Edward Dmytryk (The Left Hand of God) drama, based on a novel by Irwin Shaw, tells parallel stories of two American soldiers (Montgomery Clift and Dean Martin) and one German officer (Marlon Brando), whose war experiences we follow until they intersect outside a concentration camp. Martin plays what he calls "a likable coward," ...
Haunted by the memory of his mother's death, Sean is suspicious of his father's new flame and her ' 'son.' ' But their marriage, followed soon after by his father's mysterious death, leads Sean to uncover a plot that can only be solved by entering the widow's lair.