The definitive American television series of the '90s comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realized in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ...
The sophomore effort by Steven Soderbergh (sex, lies, and videotape) is an audacious and stylistically impressive experiment in a completely different direction from his debut. Working from a script by Lem Dobbs, Soderbergh follows the miserable day-to-day existence of Franz Kafka (Jeremy Irons), an insurance clerk in a large, impersonal company. Hiding out in his garret at night, he ...
Writer-director Barry Levinson is at his best when exploring his native Baltimore during his formative years: the 1950s and 1960s. This film, drawing upon family stories, tells a compelling, amusing tale about an extended group that came to America one by one, each earning enough to bring the next sibling. The new, American-born generation--represented by Aidan Quinn and Kevin Pollak--see a future ...
The House of the Spirits is a generational tale of life among the ruling class in a South American country, as adapted from the Isabel Allende novel, but the political realities coexist very uneasily with the magical realism in this Bille August film. The star power alone (Jeremy Irons, Meryl Streep, Glenn Close, Winona Ryder, Antonio Banderas, Vanessa Redgrave, and Armin Mueller-Stahl) ...
It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his ...