Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical ...
When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home ...
The late Dennis Potter was a master at mining the popular songs of the 1930s and '40s for dramatic effect, but he never did it better than in this British miniseries starring the inestimable Michael Gambon. Gambon plays a mystery writer named Philip E. Marlow, who is suffering a torturous bout of psoriatic arthritis in a British hospital, where he is a victim of both his disease and the national ...
This lavish set contains film versions of the five major works by Richard Rodgers and Oscar Hammerstein II, who helped define the American musical landscape and rewrite the direction of musical theater. After enjoying extremely successful careers working with others, Rodgers and Hammerstein first teamed up in 1943 for the prairie tale Oklahoma!, with songs including "Oh, What a Beautiful ...
Nunsense Join a live audience to watch the Little Sisters of Hoboken display their divine talents in a zany benefit revue. In an effort to raise money for their fallen Sisters--unfortunate victims of a convent cooking accident--Mother Superior (The Golden Girls' Rue McClanahan) and her order of eccentric and endearing nuns show the lighter side of being Catholic. With ...
When Barbra Streisand played Fanny Brice in Funny Girl, she brought to life a sympathetic yet strong-headed performer of stage and radio. In the sequel, Funny Lady, Brice comes off as a harsher woman, slightly bitchy, without the tremendous charm she possessed in the first film. Herbert Ross takes over as director (William Wyler oversaw Funny Girl), and the film just seems to ...