This 1966 film version of The Mikado from the D'Oyly Carte Opera Company exemplifies that group's approach to its resident gods. If you're familiar with the company's classic Gilbert and Sullivan recordings from the same period, you'll recognize the style (and many of the performers). Beautifully sung, articulated with lavish care, the production is so measured it suffocates the ...
Offenbach's melodious extravaganza is essentially a celebration of Paris as a tourist trap, a background for attempted seductions, and a fertile source of routine flim-flams. This 1991 Opera National de Lyon production, emanating from one of Paris's chief rivals among French cities, focuses gleefully on the sordid aspects of the City of Lights, but its strongest appeal is in the quality of ...
Arrigo Boito's treatment of the Faust legend has never been as popular as Gounod's, but Boito was an imaginative composer and a great librettist (he wrote the words for Verdi's Otello and Falstaff, the two finest librettos in Italian opera). As the title suggests, his Mefistofele puts the spotlight on the diabolical villain of the story at least as much as its hapless hero. ...
Bel canto can be translated as "pretty singing," and that definition seems tailor-made for this production, which offers grace, charm, and a fine-tuned sense of style in abundance to compensate for its limited psychological and emotional impact. The four principal singers are all specialists in the bel canto style, and this opera has played a key role in building their substantial ...
Musically, this is a quite satisfactory Traviata. Visually and sonically, it has a few small problems (pre-digital sound, imperfect tape splices, moments of imprecise lip-synchronization), but it can be recommended for those who enjoy less-than-perfect historic recordings. Anna Moffo was an endearing Violetta, and her identification with the role is lovingly captured by director Mario ...
Rossini's treatment of the Cinderella story discards the magic elements and makes it a morality tale--no fairy godmother, pumpkin coach, or glass slipper, but a sweet, intelligent heroine, abused by a dysfunctional family, who triumphs over adversity. She meets and marries her Prince Charming as a just reward for her simple, spontaneous virtue, a plot that could easily become banal but ...