The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the ...
A few decades ago nearly every country singer had at least one--often more--gospel albums in their catalog. Today, aside from gospel veteran Amy Grant, who balances the sacred and secular, and Randy Travis, that concept has long faded. For Alan Jackson, however, treating the musical past as present has been a way of life, as it is with these 15 timeless hymns from his youth. Recorded with just two ...
Revised with 2 significant tracks and artwork not previously included. When Elvis was growing up, the Presley family attended the First Assembly Of God church in Tupelo and subsequently in Memphis. Elvis's music was greatly influenced by attending these churches, but reglious music came to Elvis in many shapes and forms. Religious songs were often part of the repertoire for country stars on ...
The Legend of Johnny Cash spans his entire career for the first time on a single disc. Featuring 21 of his recordings on the Sun, Columbia, Island, and American Recordings labels, it's the first compilation to include his work on American. Also highlighting the package is a 16-page deluxe booklet with photos and essay by author Rich Kienzle.His Sun Records tracks begin with his first ...
There are several Cash boxes available, but The Legend--spanning the years 1955-2002 but concentrating on his long tenure at Columbia and, to a lesser degree, his beginnings at Sun--probably belongs at the top of the list. Cash's greatest strengths are dramatized on these four, thematically programmed discs: Win, Place and Show: The Hits; Old Favorites and New; The Great ...
Gospel was what Johnny Cash, Luther Perkins, and Marshall Grant originally wanted to record when they auditioned for Sam Phillips in 1954. In 1958, Sun Records' refusal to let Cash record a gospel album--despite his track record of hits--led him to leave for Columbia. This well-chosen package delineates sacred music's ongoing role in Cash's career, beginning with two 1970 performances from his ABC ...