Rock bastardizations of classical music are as old as Kim Fowley's--and ELP's--Tchaikovsky tweaking "Nutrocker." But classical interpretations of rock music have generally been something of a high-wire act. While most pop fare has strong melodic foundations for the soloist to build from, Christopher O'Riley has challenged himself here with the catalog of Radiohead, one of modern rock's most ...
This isn't an oratorio in the Handelian sense, but a series of cantatas for various days from Christmas to Epiphany. Bach's music is loaded with treats: an echo aria for soprano and oboe; a "pastoral" sinfonia; bravura arias for tenor with flute and bass with trumpet; a giddy soprano-bass duet; a transporting lullaby for alto. Then there are the choruses, featuring the Monteverdi Choir at ...
This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great ...
Tribute albums are always suspect; classical interpretations of rock even more so--and follow-ups to the same are fraught with mediocrity. Just witness the inexplicable glut of String Quartet Tribute discs to Tool, Bruce Springsteen, and many other top-selling and cult artists. On Hold Me to This, his second run at the music of art-rock group Radiohead, classical pianist Christopher ...
Following on from John Eliot Gardiner's critically acclaimed recordings of the symphonies of Beethoven and Schumann, SDG are proud to b e releasing the first disc in a new series exporing teh music of Johannes Brahms. Recorded live during last autumn's Brahms and his antecedents tour, and showcasing the four symphonies as well as Brahms' major choral works, this series is an important milestond ...