Manufacturer: Decca
The score for La Bohème comes to glowing life under Herbert von Karajan's baton, and Mirella Freni and Luciano Pavarotti make beautiful music together as the ill-fated lovers. The smaller parts are wonderfully sung, the comedy sharply profiled, and the pathos contained in such a way that the opera's ending proves remarkably gripping. London's sound is excellent. --Ted Libbey
This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely ...
Manufacturer: EMI Classics
Yo-Yo Ma might seem like an unlikely protagonist for the tango, but this intrepid musical explorer has taken his task seriously, collaborating with experienced tango musicians. Ma even participates in a posthumous collaboration with one 1987 Piazzolla recording. Furthermore, while he's obviously the headliner here, he doesn't dominate the arrangements nearly as much as he does the billing and ...
Manufacturer: Sony
This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: ...
Manufacturer: Harmonia Mundi Fr.
Manufacturer: Children's Group
Neville Marriner's 1976 account of the Covent Garden version of the score (1743), with the Academy and Chorus of St. Martin-in-the-Fields and soloists Elly Ameling, Anna Reynolds, Philip Langridge, and Gwynne Howell, is positively plush-sounding but nicely animated. I'd love to have this kind of string tone for, say, the Dvorák Serenade, but for Handel it may be just a bit much. --Ted ...
Constantly exhorted to "sing," string players naturally try to emulate that most beautiful musical instrument, the human voice; no wonder they literally want to get their fingers on the treasures of the vocal repertoire. Joshua Bell has appropriated some of its best-loved songs and operatic arias, from Mozart through the romantics to Orff. Slow, sustained, lovely and yes, singing, these beguiling ...
