Back by popular demand--Pavarotti's Greatest Hits! Celebrate the life and career of Luciano Pavarotti--the world's most famous tenor and King of the High C's! First released as an LP in 1980 and then again in 1985, this is one of Pavarotti's best-selling albums. Instantly recognizable cover features classic photo of Luciano Pavarotti dressed as Pagliaccio from I pagliacci. Chock-full of his ...
Thanks to good marketing, good cover art, and good luck, this disc probably has sold more copies than most other recordings of Gregorian chant put together. It's often quipped that most of those discs have been listened to exactly once and put away--to the puzzlement of many musicians and critics, who point out that there are more beautiful, more varied performances by professional singers ...
GENERAL FEATURES: Beethoven's Wig Sing Along Symphonies are zany stick-in-your-head lyrics set to the greatest hits of classical music. Filled with fact and fancy about the world's most notable composers and their masterpieces, each Sing Along Symphony opens the door to "serious music" in a way that's fun. As a bonus, the orchestral performance of each classical piece is included without lyrics. ...
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These ...
This CD is a compilation of (mainly) devotional music sung by Pavarotti when he was in or near his prime, most going back, gloriously, to 1976. Precisely what Orfeo's lament (from the Gluck opera) is doing in a recital called "O Holy Night" is beyond me, but the rest of the selections are well chosen. The title song is gorgeously enough performed to be worth the album's asking price, the tenor's ...
This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: ...